AUSTRIA |
__________________________________________________________________________________________________________________________________________________________________________ |
Austria, officially the Republic of Austria, is a federal republic and a landlocked country of over 8.8 million people. The terrain is highly mountainous, lying within the Alps; only 32% of the country is below 500 m (1,640 ft), and its highest point is 3,798 m (12,461 ft). The majority of the population speaks local Bavarian dialects of German as their native language, and German in its standard form is the country's official language. Other local official languages are Hungarian, Burgenland Croatian, and Slovene. Admont Abbey is the oldest remaining Benedictine monastery.
Austria is a parliamentary representative democracy comprising nine federal states. The capital and largest city, with a population exceeding 1.8 million, is Vienna. Other major urban areas of Austria include Graz, Linz, Salzburg and Innsbruck. Austria is consistently ranked as one of the richest countries in the world by per capita GDP terms. The country has developed a high standard of living and in 2014 was ranked 21st in the world for its Human Development Index. The republic declared its perpetual neutrality in foreign political affairs in 1955. Austria has been a member of the United Nations since 1955, joined the European Union in 1995, and is a founder of the OECD. Austria also signed the Schengen Agreement in 1995, and adopted the euro currency in 1999. |
|
RELIGIOUS CULTURE | Presidency of the Council of the European Union |
|
|
|
|
|
“The Sound of Europe” followed on from a series of events held in 2004 under the Dutch EU Presidency on the subject of “Europe. A beautiful idea?", which culminated in a final conference in Rotterdam. At the same time, the conference gave the starting signal for as wide-ranging a debate as possible on the future development of Europe, in keeping with the reflection and discussion phase decided by the European Council in June. More than 300 personalities from the world of politics, science, arts and the media deliberated on prospects and proposals for making progress on the European project in view of global challenges. The unease and scepticism people express about Europe has also been addressed, and the underlying causes analysed. (More information about the aims, content, motives, speeches and organisation of the conference below) |
|
The European Crisis. A Sad Sound?, What Next? A New Sound?, Muses and Sirens, The final Debate. Conducting Europe |
|
|
|
|
Perceptions and a short report as feedback |
|
The program went from thursday-evening 26-01 up to and including saturday-afternoon 28-01 and consisted on the one side of the conference with a working lunch and on the other hand of invitations for receptions, dinners, a concert and a visit to a museum. Place and date were choosen because of the 250th birthday of Mozart who, besides his fine ear for music,
is also known as a prototype European. The Councel of the European Union would made it possible that important points of view of personalities could be exchanged openly with each other and would realize that a lot of fundamental questions could be talked about.
There were discussions about identity, the role of (common) values, culture, the total position and the perspective of Europe. Also the displeasures and doubts that are pronounced against Europe and the underlying causes of these expressions got chances.
Everybody who want to know everything about (the whole proceedings of) the conference can further look at the verbatim record, and the list of participants. |
|
The period in Salzburg has been one of an unprecedented perception. So, I approached Dr. W. Schüssel to thank him for his invitation that he has made it possible for me to discuss about the future of Europe and to contribute to the identity-problem, the importance of values and cultural atmosphere. An expression of gratitude was replied: 'It seems of particular relevance to him that a process has started which helps to improve the communication with the citizens of Europe, thus laying the basis for a better understanding between institutions and people'.
After such conferences I always think and now? How to proceed? What do I notice outside on the streets and when? It is out of the question that the conference was a great succes and has given a further impulse to the idea and necessity to Europeanize. The contents of statements and speeches may not ebb away. Attention-points from this are very useful for further use. Perhaps that programs/action plans, from lower level, should be developed and that ambassadors/representatives should have appointed to realize fixing aims. |
THE FEST CONCERT |
|
Here you can find information about the aims, content, motives and organisation of the conference "The Sound of Europe". |
What should the conference achieve? The conference should:
What will the conference discuss? The conference comprises three sessions:
The conference will arrange for written summaries and key participants will offer the findings and conclusions during a televised round table of senior European leaders and intellectuals. Generally speaking, questions like “What is Europe?”, “How much political integration is necessary?”, “What are Europe’s tasks for the future?” etc. should find answers within a European “community” in the making. Is the conference part of the discussion about the future of Europe? Yes. It aims to give further impetus for broad debates on Europe and contribute to a paradigm change towards a new community awareness and – possibly – an injection of optimism into our societies. Why talk about “European Identity”? Maybe instead of “European Identity” we ought to speak about Europeans’ “we-consciousness”, in order to escape the trap of a “negative identity”, characterized by concepts and catch-words like “anti-American”, “anti-Jewish”, “anti-Islam”, etc. However the term “European identity” is widely used and well understood, so it makes sense not to ignore it. Sometimes it seems that the revival of a European spirit and of European “identity” is most strongly perceived outside Europe, especially by scholars in the United States of America. When and where? The Conference will take place on 27 and 28 January 2006 in the “Salzburg Congress” building adjacent and linked to the Sheraton Hotel and across the street from the Crowne Plaza Hotel, west of Mirabell Castle. Who will attend the Conference? Prime ministers, high-ranking political figures, prominent representatives of the European institutions, leading personalities from the world of the arts, science and civil society, and a number of young people from all over Europe, some 300 participants in total. Will the Conference be open to the media and the public? Yes. Journalists are invited to the Conference. The Austrian public TV network ORF will be host broadcaster. There will be media facilities for international journalists and opportunities for interested members of the public to observe the Conference. The closing debate by political leaders will be broadcast by Austrian television. The general public is represented by members of elected bodies and representatives of civil society, and not least by the 70 or so young people from all over Europe. Where did the idea for this Conference come from? The series of events under the heading “Europe. A beautiful Idea?” organised by the Nexus Institute (NL) in 2004 during the Dutch Presidency provided the theme for this Conference. Federal Chancellor Wolfgang Schüssel decided to continue this work during the Austrian Presidency of the Council of the EU in 2006. Who are the organisers? A taskforce in the Austrian Federal Chancellery headed by Ambassador Klaus Wölfer. Further intellectual input is coming from academia in Austria and other European countries, from Rob Riemen, the founder of the Nexus Institute in Tilburg (NL), Prof. Wolfgang Danspeckgruber (from the Liechtenstein Institute on Self Determination at Princeton University in New Jersey) and the Bertelsmann Foundation. Can the Conference be described as a kind of European Council? No, certainly not. Federal Chancellor Schüssel has taken the liberty to invite politicians and other personalities from different fields in person, without any intention of imitating existing formats. Why are some countries very well represented at various levels while others are not? For the same reason: We have no conventional set-up and no country delegations, but guests accepting direct personal invitations by the Austrian Prime Minister. Therefore it can happen that some countries, regions or professional groups are over- or underrepresented, but no particular significance should be attached to that. Why is the Conference called the “The Sound of Europe”? This is somewhat self-ironic: a 1965 Hollywood film set in the province of Salzburg did much to create a romantic, basically very positive image of Austria to the outside world. Its title was “The Sound of Music” and it had a happy end. The subject and challenge of this conference, in turn, is Europe, and we believe that Europe – as any community – has its own sound as well and that the European idea will developand end up well. So the Conference “The Sound of Europe” is not about music at all? No, not directly. But of course Salzburg will be full of Mozart's music and concerts, so we definitely will not neglect that aspect. Federal Chancellor Schüssel recently said in an interview: "The Sound of Europe is a homage to the European genius Wolfgang Amadeus Mozart. The whole world knows what the European sound is. It's Mozart." Does the Conference have any sponsors other than the Austrian Government? The conference addresses basic questions of Europe’s future and is part of the debate to establish a European public space supporting the Commission’s “Plan D” – for Democracy, Dialogue and Debate. Hence, the European Commission has indicated that it will act as a major co-sponsor. The same goes for the European Economic and Social Council, whose president has made questions of European identity a major issue of her programme. Where has the Conference logo come from? It has obvious similarities to the official Presidency logo, but at the same time there are clear differences.The Presidency logo was designed by the Dutch architect Rem Koolhaas and his team. It is a barcode made up of the European flags. The Conference logo is a variant, and its wave form symbolises the "Sound of Europe". Programme and press events Thursday 26 January 2006, Friday 27 January 2006, Saturday 28 January 2006. Thursday, 26 January 2006, 16.00: Press session on presentation of the book “Europa – eine Idee nimmt Gestalt an” with Hans Brunmayr, Director-General for Press and Communication and Head of Protocol in the General Secretariat of the Council of the European Union (publisher), Salzburg Congress Centre, Karajan Saal. 16.30: Lecture followed by discussion "Quo vadis Europe – Challenges of European integration in the age of globalisation" with Benita Ferrero-Waldner, EU Commissioner for External Relations and European Neighbourhood Policy Salzburg University, Kapitelgasse 4, auditorium 230. Organiser: Salzburg University, European Commission Representation in Austria, in cooperation with the newspaper "Salzburger Nachrichten". 17.00: Presentation for the press of the audiovisual installation “Europe in Sight” – 5 digital media projects open up unexpected prospects, with Gerfried Stocker, Ars Electronica Center, Linz, Salzburg Congress Centre, meeting point: ground floor. 19.30: Press conference with the President of the European Council, Federal Chancellor Wolfgang Schüssel and the French Prime Minister Dominique de Villepin, Salzburg congress centre, Karajan room (German/English/French interpretation) Friday, 27 January 2006, 9.00 Beginning of the conference "The Sound of Europe". 18.00: Gala concert by the Vienna Philharmonic Orchestra conducted by Riccardo Muti, in celebration of the 250th anniversary of the birth of Wolfgang Amadeus Mozart, Großes Festspielhaus
Saturday, 28 January 2006, 9.00: Opening address Federal President Heinz Fischer, José Manuel Barroso, President of the European Commission. Third panel and plenary discussion: "Muses and Sirens". Keynote speech: Franz Welser-Möst, Conductor. Core Panel: Jan Peter Balkenende, András Bozóki, Ján Figel’, Martin Kušej, Paavo Lipponen, Sonja Puntscher-Riekmann, Oliviero Toscani, Petros Markaris, Pat Cox. Moderator: Erhard Busek. 11.30 Closing debate: "Conducting Europe" (broadcast live on ORF 2). Panel: Jan Peter Balkenende, José Manuel Barroso, Wolfgang Schüssel, Vaira Vīķe-Freiberga, Matti Vanhanen, Paavo Lipponen, Nikolaus Harnoncourt, Jürgen Flimm. Moderator: Roger de Weck. 13.00: Closing press conference with the President of the European Council, Federal Chancellor Wolfgang Schüssel, and the President of the European Commission, José Manuel Barroso, Karajan Room/Salzburg Congress Centre (interpretation: German, English, French). 14.00: Discussion with EU Commissioner Ján Figel' and members of the Salzburg arts and culture community on the subject "The impact of art and culture on the European identity. The EU and the cultural identity of the regions" in the Stiftskeller St. Peter, Felsenstube. Organiser: Culture Department of the Land Salzburg and European Commission Representation in Austria. 15.30: Public debate: "Europe: Our expectations – our objectives" with Josep Borrell Fontelles, President of the European Parliament, José Manuel Barroso, President of the European Commission, Margot Wallström, President of the European Commission, responsible for Institutional Relations and Communication Strategy, Gabriele Burgstaller, Governor of Salzburg, Salzburg Congress Centre, Karajan Saal (Interpretation: German, English, French). Organiser: Land Salzburg Europe Office, EuropeDirect Info Point Salzburg, European Commission Representation in Austria, in cooperation with the newspaper "Salzburger Nachrichten". Participants (Opening statements, keynote speeches, panels, moderators). To the list of participants and Credits - download as pdf
|
Ladies and Gentlemen!Welcome here in Salzburg on 27 January 2006. Exactly 250 years ago today, Wolfgang Amadeus Mozart, a true European genius, was born. With this conference on "The Sound of Europe", I wanted at the same time to give the starting signal for a European debate on the future of Europe.I should like to extend a very warm welcome to all of you, and - as it would take too long to mention every one of you personally - specifically to our Federal President Heinz Fischer, the Prime Ministers Dominique de Villepin of France, Jan Peter Balkenende from the Netherlands, Matti Vanhanen from Finland, the President of the European Parliament, Josep Borrell, the President of the Finnish Parliament, my old friend and colleague Paavo Lipponen, and, of course, the co-sponsor and co-organiser, the European Commission. Commission President Barroso unfortunately is not here with us, but I am pleased to extend a hearty welcome to the Commission Vice-President Margot Waldström, who is going to open the conference with me, and to her fellow Commissioners Benita Ferrero-Waldner and Jan Figel`. I am very pleased that you have joined us here in Salzburg. I also wish to thank the team who has prepared this conference. On the way in to the conference room, you will undoubtedly have noticed a whole series of video installations. These are the work of the Ars Electronica group, who have endeavoured to translate the theme of Europe into a language of pictures and light and to convey the ideas many people have put to paper about Europe in a form that can be seen and heard.
|
What is the background to this conference?
Let me mention my friend Jan Peter Balkenende at this point. During the Dutch Presidency, he embarked with the support of the Nexus Institute on a treasure hunt in Europe in the form of a discussion series entitled "Europe - A beautiful idea". The issues discussed at the time have become all the more explosive in 2005, since the European Union has stumbled into crisis following two failed referendums on the Constitutional Treaty and a very difficult, because unsuccessful, summit meeting on the financial perspective in June 2005. At this June summit just over six months ago, the Heads of Government decided to launch a reflection phase that was to be used to seek out and articulate the reasons for the unease many of Europe’s citizens feel, perhaps not only - or not specifically - about the text of the Constitutional Treaty and to seek solutions, answers to the questions. In this spirit, we want to develop the Dutch Presidency’s idea in a situation that has obviously evolved since then, but not become any easier, in a quest for solutions and answers. The first panel will explore this unease, the criticism, the feelings of crisis in Europe, and attempt to analyse the underlying causes. The members of a second panel will discuss possible practical solutions, while the third panel tomorrow will above all look at the role of the arts and culture in Europe and the European identity. Finally, the political conclusions that can be drawn from the panel contributions will be the subject of the closing debate. |
Ladies and Gentlemen! Today is not only the anniversary of the birth of Wolfgang Amadeus Mozart; it is also Holocaust Memorial Day, the international day of remembrance of one of the greatest horrors of European history. Exactly 61 years ago, the concentration camp Auschwitz was liberated by the Red Army. Auschwitz, too, as a synonym of crime is part of Europe’s history, and must be included in our reflection. To quote Josef Krips, a great Austrian conductor who is unfortunately no longer with us: “While the one – Mozart — is from Heaven, the other – Auschwitz – has now become the synonym of Hell”.
Both sides of the coin — paradisiacal expectations, dream, vision and also the reality of failure, crime, evil, Hell – are part of Man’s identity and probably also of Europe’s identity. Mozart can provide some answers or help us find answers. He was born and lived at a time marked by dramatic changes: maybe this is something worth remembering for Europe’s citizens today. If many people today fear change, the “wind of change”: the change then was unlike anything that had gone before. The American Revolution, for example. The Bill of Rights was written in the year of Mozart’s death. The French Revolution. Adam Smith described the foundations of modern society in his work “Wealth of Nations”. As Mozart was composing “The Abduction from the Seraglio” in Vienna, Hegel was writing the Phenomenology of Spirit”. The Industrial Revolution began with the invention of the steam engine, the discovery of electricity. Industrial and computer-controlled looms were invented. The modern print media – I take this opportunity to welcome the mass media, journalists, radio and TV reporters – can trace back their origins to that time. There are two newspapers in existence today which already existed then. The “Neue Zürcher Zeitung” was established in 1780, the “Times” in 1788. |
Mozart himself travelled through Europe like a whirlwind during this period of change and made his mark on European history. If we consider that he spent one third of his short life on his travels and visited and experienced 200 European cities, and perhaps also helped compose their sound, it can truly be said he was a part of this change. He had a premonition of some of the things to come. He sensed - and I owe this thought to Martin Kušej – that events can end in a catastrophic bloodbath. Take the opera “La Clemenza di Tito” for example, which ends in a bloodbath and an attack on the Capitol during a groundless attempt to assassinate Emperor Tito. Mozart already sensed the coming of the French Revolution and at the same time gave the answer as to how to put things back in order: Not with weapons, but with music. In the Magic Flute, the military and pursuers are halted, made to dance, by a magic flute.
A great deal of this agony of change, the labour pains, growing pains, pains of maturity, we are naturally also experiencing today in Europe. This Europe must not become a purely economic idea; I say that quite openly here. Europe must be more, it must find a cultural identity, reflect on what holds us together, where its borders lie, what are its objectives, its possibilities. It must develop a sense of realism and of what is feasible. It needs a spirit, not only a common currency, but a common goal and common projects. Ladies and Gentlemen! Before I hand over to Margot Wallström and invite her to open the conference with me, I want to quote an author who also knew a great deal about music. Hermann Hesse said: “For one who loves music, the world has one more continent.” Perhaps Wolfgang Amadeus Mozart and his relationship with Europe can have a motto, such as “Music of the future for an old continent”. It would be nice if this succeeded, if Europe was no longer part of the problem, but part of the solution. I wish the conference every success. |
Summary-Notes of working-luncheon sessions by students of the Diplomatic Academy Vienna |